TIMED WRITING EXERCISES INSPIRED BY NATALIE GOLDBERG'S WRITING DOWN THE BONES
I'm over here now.
July 22, part two: I remember... (fiction) (15 minutes)
June 22, part one: horn (7 minutes)
I had the opportunity to join my teacher (Ethan Nichtern, who has been an important influence in my life) in New York at a one-day meditation and writing workshop which is part of the group he started called The Interdependence Project (http://www.theidproject.com/). In the workshop, we meditated, did a couple of Natalie Goldberg style writing exercises and read some of our work. It was a great day.Red thing in his hand, a brass cone coming out of the rubber, a squeeze, a honk, the little girl laughs, her mother gives her a stern look, that raised eyebrow she knows well, but with it the mother smirks a little. He's a funny man. What's he doing here? Is he up to no good? The man honks his horn again and rides away on his bicycle. A little piece of plastic, small, black, shiny, on the ground, on the gravel embedded cement, not there before he came around. The mother notices it and stares at it. What is it? She stares at it for a long time; the little girl runs off to chase the breeze, the screams of the children on the far side of the park, the wrought iron fence, black and stoic, the yellow cabs honking on the other side, relentless little pecks, like birds with loud beaks. Nobody seems to notice, least of all the little girl watching the older kids on the swings, wishing for a turn, wishing for someon to push her high, not her mother, another kid, a big kid, someone she longs to belike, will no doubt be like in a couple of years, another of the neighborhood kids. her mother says she's too young for those kids, They play games that aren't nice for little girls, her mother tells her. Like what? The little girl asks, but her mother doesn't answer, her mother ignores her; her mother is intent of the piece of plastic.
